AEA Stage Manager - Primary Trust at Trinity Repertory Company
Providence, Rhode Island, United States -
Full Time


Start Date

Immediate

Expiry Date

24 Mar, 26

Salary

1035.0

Posted On

24 Dec, 25

Experience

2 year(s) or above

Remote Job

Yes

Telecommute

Yes

Sponsor Visa

No

Skills

Stage Management, Communication, Theatrical Production, Scheduling, Technical Rehearsals, Blocking, Liaison, Collaboration, Note Taking, Prompt Book Creation, Team Supervision, Rehearsal Facilitation, Performance Reporting, Artistic Vision Maintenance, Production Meetings, Health Benefits

Industry

Performing Arts

Description
Description Job Posting Date: 12/23/2025 Job Title: AEA Stage Manager - Primary Trust Department: Production Reports To: Producing Director FLSA Status: Temporary Pay Tier: 4 Compensation: Minimum Salaries for Stage Managers in Non-Repertory set in accordance with LORT/AEA Agreement through 6/28/26: Dowling Theater (LORT D) $1,035.00/week. Health Benefits, Dues, and Media Payments paid in accordance with LORT/AEA Agreement Desired Start Date: March 3, 2026 About the Hiring Process: Application will be open until position filled. Screening will begin immediately. Interview process includes application submission review, hiring manager interview, and reference checks. Submission Deadline: January 21, 2026 Production Information & Important Dates: Primary Trust by Eboni Booth Venue: Dowling Theater (LORT D) Director: Tatyana-Marie Carlo Scenic Designer: Patrick Lynch Costume Designer: Amanda Downing Carney Lighting Designer: Lovanni Gomez Sound Designer: Michael Costagliola Pre-Production Begins: March 3, 2026 First Rehearsal: March 10, 2026 Onstage Rehearsals: April 2 & 3, 2026 Tech Begins: April 4, 2026 First Preview: April 9, 2026 Press Opening: April 15, 2026 Closing: May 10, 2026 Summary: Under general supervision of the Producing Director, the Stage Manager mounts the play from pre-production through the rehearsal process and the run of the show according to the LORT/AEA Agreement. Essential Duties and Responsibilities include, but are not limited to, the following: Supervises other members of the Stage Management team, including Assistant Stage Manager, Production Assistant, and Production/Stage Management Apprentice. Facilitates pre-production. Attend all production meetings. Acts as the liaison between creative team, production team, cast members, technical crew, and administrative staff. Schedules all rehearsals in collaboration with the director and distributes rehearsal reports, performance reports, weekly schedules, and daily schedules. Keeps accurate notes during rehearsal process concerning blocking, scenery changes, props, etc. Runs technical rehearsals. Calls all performances from the control booth. Maintains the artistic vision of the director and designers. Creates and compiles the prompt book and master show folder to submit to Producing Director at end of the run. Qualifications: To perform this job successfully, an individual must be able to perform each essential duty satisfactorily. The requirements listed below are representative of the knowledge, skill, and/or ability required. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions. Education and/or Experience: Three or more years of related experience and/or training in Stage Management. LORT theatre experience preferred. Technical Skills: Knowledge of theatrical production practices and procedures. Language Skills: Must be an excellent communicator with the ability to communicate transparently and effectively across mediums. Computer Skills: MS Office Suite, G Suite, File Sharing Software (Dropbox, One Drive) Physical Demands: The physical demands described here are representative of those that must be met by an employee to successfully perform the essential functions of this job. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions. Must be able to remain in a stationary position for a prolonged period. Must be able to regularly move about inside rehearsal and theatre spaces to access and communicate with actors and crew. Must be able to ascend and descend stairs. Must have the physical ability to move objects weighing up to 35 pounds. Work Environment: The work environment characteristics described here are representative of those an employee encounters while performing the essential functions of this job. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions. Schedule includes nights and weekends. The noise level in the work environment ranges from low to high. The light level in the work environment ranges from light to dark. Trinity Rep is a collaborative work environment, and employees are expected to be open and willing to collaborate across departments and teams. Trinity Rep is on an active and ongoing journey to be anti-racist organization, advancing anti-racist policies and practices, and fostering and sustaining a culture that values community, social justice, and equity. Trinity Repertory Company is an equal opportunity employer dedicated to building a culturally diverse, equitable, and anti-racist environment. For information about Trinity Rep’s commitment to antiracism, please visit trinityrep.com/antiracism. ABOUT TRINITY REPERTORY COMPANY Rhode Island’s Tony Award-winning theater company, Trinity Rep has created unparalleled professional theater for and with its community since its founding in 1963. Trinity Rep is committed to reinventing the public square and inspiring dialogue by creating emotionally stimulating productions and innovative education programs for all ages and abilities. Whether classical or contemporary, all of Trinity Rep’s productions connect audiences with the play and each other in meaningful and sometimes surprising ways. Its annual production of A Christmas Carol has brought families together for 40+ years and made memories for over a million audience members. Trinity Rep shapes the future of the nation’s theater through the development and production of new plays, as well as the tuition-free Brown University/Trinity Rep MFA program – one of the leading programs for actor and director training in the world. Trinity Rep strives to facilitate human connection through its commitment to forming meaningful community partnerships, creating a safe and welcoming environment for everyone, delivering exceptional customer service, and connecting patrons with its resident company of artists. Trinity Rep has resolved to place antiracism at the center of its work and has embarked on a robust planning process to develop and implement a bold new vision for theater making, education, and community engagement, founded on the principles of genuine equity and antiracism. Located in downtown Providence, Trinity Rep has long been a driving force behind the creativity that fuels and defines the region. Typically employing over 250 artists, educators, and administrators, the organization generates nearly $21 million in direct and indirect economic activity annually. It is one of 76 theaters nationwide with membership in LORT (the League of Resident Theaters), the organization representing America’s leading professional theater companies. Learn more at www.trinityrep.com/about/. ABOUT THE COMMUNITY Ranked #1 in Travel + Leisure Magazine’s 2014 America’s Favorite Cities Survey, praised by Architectural Digest as “The country’s best small city,” and named America’s Coolest City by GQ Magazine in 2015, Providence is the capital and most populous city in Rhode Island. Founded in 1636, it is one of the oldest cities in the United States and the third-largest city in the New England region after Boston and Worcester. Providence has a city population of 180,609 and is part of the Providence metropolitan area with an estimated population of 1,622,520. The region is considered part of the Greater Boston combined statistical area, the sixth largest in the country, with over eight million residents. Once nicknamed the “Beehive of Industry,” Providence has rebranded itself as the “Creative Capital” to emphasize its educational resources (Brown University, Rhode Island School of Design, Providence College, Rhode Island College, Roger Williams University, and Johnson & Wales University) and arts community. Over the last twenty years, much of Providence has undergone a true civic renaissance, as political leaders and residents have propelled the city into an exciting place to work and live. City streets are packed with boutiques, hotels, renovated lofts, excellent restaurants, and art spaces. In addition to being the home of Trinity Repertory Company, Providence has a remarkable arts and culture community that includes nationally renowned community arts center, AS220; the Rhode Island Philharmonic Orchestra; RISD Museum; Providence Athenaeum; Festival Ballet; and WaterFire. Providence is also home to several performing arts centers such as the Veterans Memorial Auditorium and the Providence Performing Arts Center, as well as a number of smaller theaters. The city’s music scene, centered on artist-run spaces, is well known in underground music circles. The restaurant scene in Providence is second to none and a source of immense pride for residents, as the city has been consistently recognized as a top city for food. Because of Rhode Island’s proximity to the ocean, many restaurants, grocery stores, and farmer’s markets boast food sourced from the state itself, giving real meaning to the phrase “farm-to-table” dining. From bakeries and coffee shops to bars and food trucks, there is no shortage of fun, excellent, cutting-edge dining in the city.
Responsibilities
The Stage Manager supervises the production from pre-production through the rehearsal process and the run of the show. This includes scheduling rehearsals, maintaining communication between teams, and ensuring the artistic vision is upheld.
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