Automation Assistant at Cameron Mackintosh Ltd
London WC1B 3RB, , United Kingdom -
Full Time


Start Date

Immediate

Expiry Date

02 Oct, 25

Salary

0.0

Posted On

26 Aug, 25

Experience

0 year(s) or above

Remote Job

Yes

Telecommute

Yes

Sponsor Visa

No

Skills

Good communication skills

Industry

Other Industry

Description

DESCRIPTION

Cameron Mackintosh Ltd are looking for an Automation Assistant to join the Mary Poppins UK Tour.
We are recruiting experienced candidates with proven experience of working on large-scale musicals of the highest calibre.
We welcome applicants from all backgrounds and have an equal opportunity approach across all personal characteristics.
Deadline for applications is 3rd August 2025.

ABOUT CAMERON MACKINTOSH LTD

Cameron Mackintosh has been producing shows since 1967 and remains the world’s most prolific producer of musicals in theatre history.
As well as producing three of the world’s longest running musicals, Les Misérables, The Phantom of The Opera and Cats, his legendary productions include Miss Saigon, Mary Poppins (co-produced with Disney), Oliver!, Side By Side By Sondheim, Little Shop Of Horrors, Song And Dance, Tomfoolery, The Witches Of Eastwick and Five Guys Named Moe. His acclaimed new productions of My Fair Lady, Oklahoma and Carousel have all been International successes, as have his reinvented new productions of Les Misérables, Miss Saigon and The Phantom of The Opera. Cameron is also co-producer with Jeffrey Seller of Hamilton in London.
In 2013, alongside Working Title Films and Universal, Cameron produced the hugely successful Oscar, Golden Globe and BAFTA award-winning film adaptation of Les Misérables which is one of the most successful movies ever of an original stage musical. The concert version of Les Misérables, which was first staged in 1989 at Domain Park in Sydney, has proved to be just as successful as the staged musical around the world. It has been filmed three times – at the Royal Albert Hall, the O2 Arena and the Gielgud Theatre and is continually rescreened on TV and in cinemas throughout the world and, alongside his spectacular Royal Albert Hall production of The Phantom of the Opera, regularly breaking attendance records for live recording performances of musical theatre.
Cameron owns and operates eight historic London theatres which have all been spectacularly rebuilt and refurbished for the 21st century. They house many of London’s most successful hits. The Sondheim, formerly known as the Queen’s, has been rebuilt and renamed in honour of Cameron’s great friend, theatrical legend Stephen Sondheim who died in 2021. The last show he and Cameron were working on, Old Friends, premiered onstage and then TV as a sensational all-star gala last year and is now open at the Gielgud Theatre for a limited season with a terrific cast, headed by Broadway legends Bernadette Peters and Lea Salonga.
In 1990, Cameron inaugurated the Chair of Contemporary Theatre at St. Catherine’s College in Oxford University, with Stephen Sondheim as his visiting professor and his current professor is Adjoa Andoh, co-star of Bridgerton.
Music Theatre International, the world’s largest owner of secondary rights of many of the greatest musicals ever written, is now one of Cameron’s companies. Cameron was knighted in the 1996 New Year’s Honours for his services to British theatre and he is the first British producer ever to be elected to Broadway’s Theater Hall of Fame.
Please make sure that you read the job description and person specification when making your application. These documents will be attached to the job advert

How To Apply:

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Responsibilities
  • assist the Head of Automation and Deputy Head of Automation in the efficient running of the automation department;
  • cover the backstage automation plot and operate the automation desk for performances, rehearsals and other events as required;
  • Be prepared to teach or learn any show plots when necessary;
  • help maintain all automation equipment to a high standard;
  • attend promotional events such as publicity and photographic calls, press and media interviews and press junkets as required;
  • provide accurate time sheets on a weekly basis
  • Be involved in the load out/load in to venues when necessary;
  • attend meetings or training courses as required;
  • be aware of and adhere to the Producer’s health and safety policies;
  • uphold and promote at all times the Producer’s child protection policy and related procedures and guidelines.
  • complying with the Producer’s policies and procedures in force from time to time, including but not limited to the Producer’s policies on Equal Opportunities, Bullying and Harassment, Social Media, Data Protection
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