Video Editor / Motion Designer — TVC & Social

We're hiring an Editor who lives in After Effects.

Roughly 60% paid social, 40% television. Almost every project combines both disciplines: you cut the footage, then you build the motion that lifts it. Some weeks you're crafting a 15-second thumb-stop for Meta. The next you're finishing a TVC for broadcast delivery.

You'll work to designs from our senior designer, so you're not starting from a blank page. But this is a two-handed  job. You need to cut footage properly, and you need to build the motion yourself in After Effects.

To be clear about what that motion work is: type and supers, logo animation, tracking, and light compositing. It's the animation that makes an ad land. It isn't character animation or 3D, and we're not looking for an animator. We're looking for an editor whose After Effects is genuinely good.

This is a permanent role, four days per week, moving to five in the near term as our workload grows.

The Role

We're hiring an Editor who lives in After Effects.

Roughly 60% paid social, 40% television. Almost every project combines both disciplines: you cut the footage, then you build the motion that lifts it. Some weeks you're crafting a 15-second thumb-stop for Meta. The next you're finishing a TVC for broadcast delivery.

You'll work to designs from our senior designer, so you're not starting from a blank page. But this is a two-handed job. You need to cut footage properly, and you need to build the motion yourself in After Effects.

To be clear about what that motion work is: type and supers, logo animation, tracking, and light compositing. It's the animation that makes an ad land. It isn't character animation or 3D, and we're not looking for an animator.We're looking for an editor whose After Effects is genuinely good.

This is a permanent role, four days per week, moving to five in the near term as our workload grows.

Why Corsa

Corsa isn't a faceless network agency. We're founder-led, built by someone with decades of experience producing for some of Australia's biggest brands. Those connections mean the briefs that land on your desk are the kind that normally sit inside much larger shops.

Premium work from day one. Our client roster is established brands with real budgets. No corner-cutting, no templated churn. Work that belongs on a reel.

Range that keeps you sharp. Performance social and broadcast TVC in the same week. Very few studios in Melbourne give you both.

A studio built for craft. Our South Melbourne space is set up for collaboration and focus, not open-plan chaos.

Get in early. We're growing fast. This role steps up to five days shortly, and joining now means real seniority as the creative function scales.

What You'll Do

- Edit and finish paid social campaigns across Meta (Feed, Stories, Reels), with a performance mindset: hook structures, platform-native pacing, aspect ratio versioning at volume.

- Edit and finish television commercials to broadcast standard, through to network delivery.